About
The Levert Brothers Life

Gerald Levert (July 13, 1966 - November 10, 2006) was an American R&B singer, one of several from the musical Levert family. His father, Eddie Levert, is the lead singer of the 1970s soul group The O'Jays. Gerald Levert sang with his brother, Sean Levert, and friend Marc Gordon in the R&B trio LeVert. He was also a part of LSG, an R&B musical group comprising Keith Sweat, Johnny Gill, and Levert.
Early life & career
Gerald Levert was born to The O'Jays frontman Eddie Levert and his wife Martha in Philadelphia on July 13, 1966. Levert grew up in Shaker Heights, Ohio, and due to his father's career, Levert would travel with the band regularly. While in high school, Levert's inclination towards music became apparent when he formed the R&B trio LeVert, with his younger brother Sean (deceased, March 30, 2008) and friend Marc Gordon in 1984. The group proved to be very successful with four of its seven albums going platinum. These include, I Get Hot in 1985, Bloodline in 1986, The Big Throwdown in 1987, and Just Coolin in 1988. Among the group's memorable hits were, "(Pop, Pop, Pop, Pop) Goes My Mind", "Casanova", and "ABC-123" (not to be confused with the Jackson 5 hit of the same name).
Solo Career & Collaborations
In 1991, Levert went solo with the album, Private Line, which went to number one on the R&B charts. The following year, Gerald and his father, Eddie Levert, hit number one on the R&B charts with the single, Baby Hold On to Me. Levert recorded a string of albums throughout the 1990s and early 2000s, that spawned the hit singles, "Thinkin' About It" (Pop #12), "Taking Everything" (Pop #11), "Funny", "Mr. Too Damn Good to You", "U Got That Love", and a remake of R. Kelly's "I Believe I Can Fly", along with gospel singer Yolanda Adams.
Gerald wrote and produced songs for other artists such as, Barry White, Stephanie Mills, Teddy Pendergrass, James Ingram, The Winans and The O'Jays. In the mid 1990s, he also helped launch the careers of three Cleveland-area R&B ensembles: The Rude Boys, Men at Large and 1 of the Girls. In 1997, Levert teamed up with fellow R&B singers Keith Sweat and Johnny Gill, to form the supergroup, LSG. The trio released the album Levert-Sweat-Gill, the same year, followed by LSG2 in 2003. In 1999, Levert sang the chorus on the Chris Rock spoken-word comedy piece, "No Sex (In the Champagne Room)". One of Levert's last collaborations was with pianist Jim Brickman on the song "My Angel", for Brickman's 2006 album entitled Escape.
Levert released his tenth album,Voices, in 2005.
Personal lifeAlthough never married, Levert had 3 children; LeMicah, Camryn,and Carlysia Levert.[1] Carlysia, an aspiring singer, appeared on the MTV series My Super Sweet 16, with her father in 2005.
DeathOn November 10, 2006, Gerald Levert was found dead in his bed at his Newbury home when a cousin tried to wake him.[2]Initial reports stated that Levert had died of an apparent heart attack.[3] In February of 2007, an autopsy report conducted by the Cuyahoga County coroner's office concluded that Levert's death was caused by a fatal combination of prescription narcotics and over-the-counter drugs. The drugs in his bloodstream included the narcotic pain relievers Vicodin, Percocet, and Darvocet, along with anxiety medication Xanax and two over-the-counter antihistamines. The autopsy also revealed that Levert had pneumonia. The official cause of death was acute intoxication, and the death was ruled accidental. Gerald Levert was 40 years old.[4]
Following the disclosure of Gerald Levert's cause of death, a family spokesman stated that all the drugs found in Levert's bloodstream were prescribed to the singer. Levert was taking the pain medication because of chronic pain from a lingering shoulder problem and surgery in 2005 to repair a severed Achilles tendon. Levert was also prescribed Xanax for anxiety attacks.[4]
Shortly before his death, Levert completed work on what would be his final album, In My Songs. The album was released on February 13, 2007.[5]In June of 2007, a book Gerald was working to complete entitled, I Got Your Back: A Father and Son Keep it Real About Love, Fatherhood, Family, and Friendship, was released. The book was initially planned as a tie-in for a Levert album of the same name. I Got Your Back explores Gerald and Eddie’s father/son relationship, the necessity of male bonding, and importance of repairing fractured families.[6]Levert was also working on reality show in which he was losing weight along with 12 of his female fans, who were training with him at his palatial home.[7]
Posthumous Grammy Award nomination and winOn December 7, 2006, it was announced that Levert, along with soul legend Chaka Khan, gospel singer Yolanda Adams, and R&B crooner Carl Thomas were nominated for a Grammy in the category of Best R&B Performance by a Duo Or Group With Vocals for their collaboration on "Everyday (Family Reunion)", a song from the soundtrack of Tyler Perry's Madea's Family Reunion. [8] He was nominated again for the Best Traditional R&B Vocal Performance for his single, "In My Songs". At the 50th annual Grammy Awards, it was announced that Levert had won the award for "In My Songs". Levert's brother and former founding Levert member Sean Levert (deceased) accepted in his late brother's behalf.
Awards/Nominations American Music Award 1999, Favorite R&B/Soul Band, Duo or Group (Nominated) w/ LSG 1993, Favorite Male R&B/Soul Artist (Nominated) 1988, Favorite R&B/Soul Single: "Cassanova" (Nominated) w/ Levert BET Awards 2007, Favorite Male R&B Artist: (Nominated) 2007, BET J Cool Like Dat: (Winner) Grammy Awards 2008, Best Traditional R&B Performance: "In My Songs" (winner) 2007, Best R&B Performance by a Duo or Group: "Everyday (Family Reunion)" (Nominated) w/ Chaka Khan, Carl Thomas & Yolanda Adams 1988, Best R&B Performance by a Duo or Group: "Cassnova" (Nominated) w/ Levert Image Awards 2004, Outstanding Male Artist (Nominated) Soul Train Awards 2003, Favorite Male Soul/R&B Album: Tha G Spot (Nominated) 1999, Favorite Band, Duo or Group Album: Levert.Sweat.Gill (Nominated) 1995, Favorite Male Soul/R&B Album: Groove On (Nominated) 1988, Favorite Band, Duo or Group Single: "Cassanova" (Winner) w/ Levert 1998, Favorite Band, Duo or Group Album: The Big Takedown (Winner) w/ Levert DiscographyAlbums (Levert)
1985: I Get Hot 1986: Bloodline (#8 R&B, #192 Pop) 1987: The Big Throwdown (#3 R&B, #32 Pop) 1988: Just Coolin (#6 R&B, #79 Pop) 1990: Rope A Dope Style (#9 R&B, #122 Pop) 1993: For Real Tho (#5 R&B, #35 Pop) 1997: The Whole Scenario (#10 R&B, #49 Pop) 1998: "Love & Consequences"Albums (LSG)
1997: Levert-Sweat-Gill (#2 R&B, #4 Pop) 2003: LSG2 (#3 R&B, #6 Pop)
Albums (Gerald & Eddie Levert)1995: Father & Son 2007: Something To Talk About (U.S. Sales as of July 12, 2007: 69,656 copies) [9]
Singles With LeVert
1986: "(Pop, Pop, Pop, Pop) Goes My Mind" (#1 R&B) 1987: "Casanova" (#1 R&B, #5 Pop) 1987: "My Forever Love" (#2 R&B) 1988: "Sweet Sensation" (#4 R&B) 1988: "Addicted to You" (#1 R&B) 1988: "Pull Over" (#2 R&B) 1989: "Just Coolin" (#1 R&B, with Heavy D) 1989: "Gotta Get the Money" (#4 R&B) 1990: "Rope A Dope Style" (#7 R&B) 1990: "All Season" (#4 R&B) 1991: "Baby I'm Ready" (#1 R&B) 1993: "ABC-123" (#5 R&B)Singles With LSG
1997: "My Body" (#1 R&B, #4 Pop)Solo Singles
1988: "That's What Love Is" (#4 R&B, duet with Miki Howard) 1991: "Private Line" (#1 R&B) 1992: "Baby Hold On to Me" (#1 R&B, #37 Pop, duet with Eddie Levert) 1992: "School Me" (#3 R&B) 1992: "Can You Handle It" (#9 R&B) 1994: "I'd Give Anything" (#4 R&B, #28 Pop) 1995: "Answering Service" (#12 R&B) 1995: "Can't Help Myself" (#17 R&B) 1995: "How Many Times" (#55 R&B) 1995: "Already Missing You" (#7 R&B, #75 Pop, duet with Eddie Levert) 1996: "Wind Beneath My Wings" (#30 R&B, duet with Eddie Levert) 1998: "Thinkin' Bout It" (#2 R&B, #12 Pop) 1999: "Taking Everything" (#3 R&B, #11 Pop) 1999: "Nothin' to Somethin" (#55 R&B) 2000: "Baby U Are" (#31 R&B, #89 Pop) 2000: "Mr. Too Damn Good" (#20 R&B, #76 Pop) 2000: "Dream With No Love" (#84 R&B) 2001: "Made To Love Ya" (#37 R&B) 2002: "Funny" (#37 R&B) 2002: "What Makes It Good To You (No Premature Lovin')" (#66 R&B) 2003: "Closure" (#57 R&B) 2004: "One Million Times" (#56 R&B) 2004: "U Got That Love (Call It a Night)" (#30 R&B) 2004: "Wear It Out" (#58 R&B) 2005: "So What (If You Got a Baby)" (#49 R&B) 2007: "In My Songs" (#28 R&B)
Soul man Gerald LeVert had an auspicious childhood as the son of R&B legend Eddie LeVert, the lead singer of the O'Jays, and the choice gene pool seemed to kick in at an early age. While still a teenager, LeVert joined with brother Sean and friend Marc Gordon to form the soul group LeVert and, after one independent release, signed with Atlantic Records in 1985.
Gerald's voice was a near dead-ringer for his father's distinctive, growling baritone, and his engaging lead took the group to the top of the Soul charts with "Pop Goes My Mind" and followed the next year with the top five Pop and Soul Atlantic single, "Casanova," an infectious midtempo tune written for the group by Midnight Star's Calloway brothers that elevated LeVert to the top of the late 80s Soul music pyramid.
Gerald was developing as a songwriter and vocalist, and fronted LeVert through a string of top Soul hits over the next few years, including #1s "My Forever Love," "Just Coolin'" and "Baby I'm Ready." However, his development also moved him into a first-among-equals status that invariably led to a solo singing career. He branched out in 1991 with his solo debut, Private Line, and topped the Soul charts with the title track. Even better was his duet with his father Eddie on "Baby Hold On To Me," a phenomenal ballad that was one of 1992's most memorable songs and which led to their 1994 album of duets, Father and Son.
Over the remainder of the decade Gerald continued to score big on the Soul charts, while only infrequently crossing over (most notably on the bland David Foster ballad "I'd Give Anything"). However, as the turn of the century hit, Gerald's audience grew older and less tuned into hit radio, and he developed into more of an album artist. He remained incredibly prolific through the next half decade, releasing a new album annually and landing in the Soul and Pop 10 with each disc. He also provided quality songs and/or vocal help to a slew of other performers, including Patti LaBelle and Yolanda Adams, and was part of a popular but artistically disappointing 2-album stint with singers Johnny Gill and Keith Sweat in the macho, sexed-up group LSG.
In 2005, Gerald Levert compiled a number of his strongest duets with other artists as well as songs with LSG and a few new recordings on the CD Voices. For LeVert fans, Voices served as a nice compilation of some of LeVert's notable work outside of his solo albums, including great cuts with the Rude Boys ("Written All Over Your Face"), LSG ("My Side of the Bed") and Kelly Price ("All I Want Is You"). And for the uninitiated, it was a fine introduction to Gerald LeVert as a songwriter and vocalist.
While Gerald LeVert's catalog is of varying quality, he certainly demonstrated himself as a capable songwriter and a consistently strong vocalist. He also showed impressive longevity during a particularly fickled period in popular music and remained at the top of his game for two decades.
Sadly, on November 10, 2006, Gerald died of a heart attack while sleeping. His final recordings were released in February 2007 under the title In My Songs. In February 2008, Levert won a posthumous Grammy Award for Best Traditional R&B Performance for In My Songs.
Gerald Levert
singer; songwriter; producer
Personal Information
Born on July 13, 1966, in Philadelphia, PA; raised in Cleveland, OH; son of Eddie Levert, founder and lead vocalist of the O'Jays.
Career
Rhythm-and-blues vocalist, producer, and songwriter. With brother Sean Levert and Marc Gordon, formed group LeVert, early 1980s; with LeVert released album I Get Hot on independent Tempre label, 1985; signed to Atlantic Records, 1985; with LeVert released Bloodline, first of a series of top-selling albums, 1986; began producing albums for other artists, late 1980s; launched solo career with album Private Line, 1991; recorded and performed with Eddie Levert, 1995; with Keith Sweat and Johnny Gill, released Levert Sweat Gill, 1997; released Love & Consequences, 1998.
Life's Work
The son of one of the classic soul era's best-loved group leaders, Gerald Levert demonstrated the staying power of R&B vocal styles in an era when technologically driven musical genres such as hip-hop gradually gained ascendancy. His father was Eddie Levert, lead vocalist and organizer of the O'Jays, themselves an R&B act of unusual staying power. Levert came onto the music scene in the middle 1980s as part of the trio LeVert, and embarked on a solo career in 1991. By the late 1990s he was still a leading album seller and concert headliner, and although he worked widely as a producer and was keenly aware of contemporary musical trends, in his own music he kept the focus where it had always been--on the vocals.
Levert was born on July 13, 1966. Although his father and the rest of the O'Jays worked primarily in Philadelphia, Gerald and his siblings spent their formative years in Cleveland, Ohio. He and his brother Sean hooked up with a school friend, Marc Gordon, who sang and played keyboards. Growing up in a musical environment had its advantages. In addition to enjoying their father's encouragement, the Leverts and Gordon could perfect their music skills in the fully equipped studio that was part of the Levert household. Toward the end of their high school years the group, performing under the name LeVert, made appearances at Ohio nightclubs.
Signed to Atlantic Label
In the mid-1980s, the group landed a contract with the independent label Tempre. Despite the waning influence of small independent labels in the 1980s, LeVert's album I Get Hot and its lead single "I'm Still" gained regional popularity in the influential R&B market of Baltimore and Washington, D.C. As a result, the group came to the attention of Atlantic Records and was signed to that label. LeVert became an overnight success, hitting Number One on the R&B charts with the single "(Pop, Pop, Pop, Pop) Goes My Mind," from their Atlantic debut album, Bloodline. Observers of the music scene noticed that Levert's voice closely resembled his father's. The group, moreover, was clearly steeped in the classic soul harmonies of the O'Jays. However, the sophisticated production work on the LeVert albums gave them a contemporary style.
LeVert's second album, The Big Throwdown, was released in 1987 and sold more copies than Bloodline. The album's lead single, "Casanova," reached Number One on the R&B charts and crossed over to the pop charts. Several other singles from the album became hits, and LeVert earned even more mainstream exposure with the song "Addicted to You," from the soundtrack of the 1988 film Coming to America. "Addicted to You" also rose to Number One on the R&B charts. In 1988 LeVert released Just Coolin', which featured rapper Heavy D and included a groundbreaking R&B/hip-hop combination on its title track. They also released Rope-a-Dope Style in 1990 and For Real Tho'; in 1992. In 1997, the group released The Whole Scenario, an innovative work that included both rapping and classical orchestral instruments. Several of the LeVert albums sold 500,000 copies or more.
Launched Solo Career
By the late 1980s, Levert began taking steps toward developing a solo career. Also, realizing that producers and writers were controlling the musical direction of R&B, he and Marc Gordon formed their own production company. This company, Trevel Productions, worked with such acts as Anita Baker, Men at Large, the O'Jays, and Miki Howard. The success of Trevel Productions solidified Levert's position at Atlantic and paved the way for his debut solo album, Private Line, in 1991.
Private Line was a resounding commercial success, reaching Number Two on the R&B charts. Four of the album's singles: "School Me," "Can You Handle It," "Baby Hold On To Me," and the title track were widely played on R&B radio stations in 1992. Levert, in collaboration with Tony Nicholas, wrote most of the music on the album. "Baby Hold On To Me" reached Number One on the R&B charts and featured a duet with Levert and his father, Eddie. The two also recorded an album, Father and Son, for the East West label and jointly established a national scholarship fund under the administration of 100 Black Men, a public-service organization in which Eddie Levert was an active member.
Levert appeared in the 1991 film New Jack City and continued with his own production work. In 1994, he released his second solo album Groove On. This album attempted to recreate the atmosphere of 1960s soul and included a full horn section on many of the tracks. Groove On also featured several soulful romantic ballads. The album's lead single, "I'd Give Anything," had originally been recorded as "She'd Give Anything (To Fall in Love)" by the country group Boy Howdy. "When his peers were speaking of relationships as an unnecessary evil," wrote Sonia Murray of the Atlanta Constitution, "Levert, in his big, palpable baritone, proclaimed `I'd give anything and everything to fall in love.'"
By the late 1990s, Levert seemed firmly enshrined in the pantheon of classic rhythm-and-blues and soul performers. He teamed with vocalists Keith Sweat and Johnny Gill in 1997 to produce the album Levert Sweat Gill. In 1998, he released the solo album Love & Consequences. Like its predecessors, Love & Consequences was a commercial success and sold more than one million copies. In 1999, Levert toured with classic soul diva Patti LaBelle.
Awards
At least three gold albums with group LeVert ; gold and platinum albums for solo releases.
Works
Selected discography
Further Reading
Books
Graff, Gary, Josh Freedom du Lac, and Jim McFarlin, MusicHound R&B: The Essential Album Guide, Visible Ink, 1998. Larkin, Colin, ed., The Guinness Encyclopedia of Popular Music, Muze U.K., 1998. Romanowski, Patricia, and Holly George-Warren, The New Rolling Stone Encyclopedia of Rock & Roll, Fireside, 1995.Periodicals
Billboard, August 6, 1994; p. 18; September 16, 1995, p. 11. Scripps Howard News Service (in Bergen County [N.J.] Record), April 2, 1999, p. 5.Nonetheless, that single set up a deal with Atlantic Records the following year, and it could not have been a better move. Initially, Gerald recorded with the group, scoring five number one singles, seven Top Ten singles, and four Top 20 singles on the Billboard R&B charts, including the Reggie and Vincent Calloway-written and -produced number one single "Casanova," which also peaked at number four on the Billboard pop charts. He also managed to make room for a duet with labelmate Miki Howard, recording the number four single "That's What Love Is." In 1991, Gerald released his solo debut album, Private Line. The title track spawned his first number one single as a solo artist on the Billboard R&B charts. The following year, Gerald came back with a duet with his father and scored another number one single with "Baby Hold on to Me" and the number three single "School Me," reminiscent of Babyface's "Whip Appeal." However, in the midst of all his success, Gerald's only major pop appeal remained the "Casanova" single.
Pop producer David Foster presented a pop tune to Gerald, and "I Swear" became a number one and Top 20 hit on the pop and R&B charts, respectively. Subsequently, Gerald returned to Foster's stable to record "I'd Give Anything," also produced by Foster. Formerly a number four country hit for Boy Howdy under the title "She'd Give Anything," Gerald's version managed a pop Top 30 hit. Intended for crossover appeal, the single was actually a bigger hit on the R&B charts, peaking at number four and reinforcing Gerald's major following among R&B music lovers.
In addition to his impressive string of hits, the Cleveland, OH, native rendered his services as songwriter, vocalist, and producer to many artists, such as the O'Jays, Barry White, Stephanie Mills, Troop, Teddy Pendergrass, the Winans, Patti Labelle, Rude Boys, and on and on. In 1997, Gerald added another dimension to his prosperous career; he joined forces with R&B vocalists Keith Sweat and Johnny Gill under the acronym LSG, spawning the hit single "My Body." As a solo act, he released Love & Consequences the year following, returning in 1999 with G. He continued to be extremely productive throughout the early 2000s, releasing the albums Gerald's World, G Spot, Stroke of Genius, and Do I Speak for the World before 2005. Shortly after completing a personal memoir with his father, as well as another album, Levert died on November 10, 2006, at the age of 40. By mistake, he had taken a lethal combination of prescription and over-the-counter drugs. The album he had just completed, In My Songs, was released a day before Valentine's Day 2007. Something to Talk About, recorded with his father, followed that June.
You can tell from the quiet, unassuming way he goes about holding it down - from the writing process to the rehearsal hall, from first take to the last, from collaborations with the world_s hottest producers to show stopping duets on the world's greatest stages -G is always going to be G. Even after selling close to ten million albums, after writing and/or producing more than 14 #1 R&B hits - from "I'd Give Anything" to "Mr. Too Damn Good" - he's never going to let us all the way in.
Or is he?
Here's your exclusive glimpse - a snapshot, so to speak - of what Gerald's world is really like, as he prepares for yet another world tour. Oh, and to test-drive the brand new album called of course, Gerald's World. "Timing is everything," Gerald laughs, flashing that famous smile of his.
9:00 AM: Gerald awakes on a typical day in Cleveland, that eternal blur of sun and clouds hanging over the lake. His manager, Leonard, is on the cell, giving him an update on his schedule. Second day of tour rehearsals. But before we head out to rehearsals, Gerald ushers us into his personal recording studio to play a couple cuts from the new album. It's here that he first 'fesses up.
Gerald: I've been in this game awhile. I hear these younger cats and I remember all the hustling. The partying and the fast cars and the faster women and all the diamonds and the showboating. It's my kids and my family now. I do this for them.
He pauses. Hits play. Some mad wa-wa shit comes through the speakers and that unmistakable voice hits you. The voice. No one else in R&B, pop, soul or neo-soul for that matter can cut to the heart of a lyric like G. The song is "Soul Mate," and you realize before it's even finished that only a cat who survived the partying and the fast cars and the faster women and the diamonds and the showboating, could lay it down like that.
Gerald: Don't get me wrong. I listen to the radio. I listen to my people and my fans. I don't always record just what I want to hear. But I try to give it a sense of what I've learned. I try to incorporate my growth into every song I record. If I'm singing about a relationship now, you know I understand it from all sides. From all angles, baby.
11:00 AM: On the way to the rehearsal studio in Gerald's car, he decides to play us a couple more songs from Gerald's World. The first is a ballad with one of those double entendre titles that Gerald is known for: "#1." The second is another slow burner, the sensual "Got Love." Then it's on to "DJ Played Our Song," a very personal composition from Gerald.
Gerald: Not many people know I was engaged a few years back. We broke up and it was tough on both of us. When my sister happened to get married, my ex-fiancee came to the wedding. It was one of those intense moments when you see each other and you don't know what to do - what to say to each other. There are all these people around that you know and love, yet, your sharing this very personal, scary moment. Everybody has lived through that. I went home and wrote a song about it.
He lets the song fill up his silence, the thunderous music ebbing and flowing around Gerald's passionate vocal. Only when it's over does he feel the need to talk again.
Gerald: I wrote a lot of darker songs during that period. "Thinkin' About It" from Love & Consequences. I started getting a lot of questions on my website. "Why are you so sad?" But this isn't a sad album.
As if to prove it he hits fast forward to another track, then changes his mind.
Gerald: I'm going to save "Made To Love Ya" for the rehearsal. That song probably bests reflects where my head and my heart are at right now.
We get to the rehearsal hall around noon. An energetic road crew is milling around with a couple of Gerald's friends from the hood. Kicking off a new tour is always part work/part family reunion. Gerald admits that even he can't always remember who is on the payroll and who's there just to hear a song or two from the new album. Embraces and backslaps all around as he walks toward the cavernous stage. G takes off his coat, skips over a tangle of cord and wires and grabs a mic, his arm still around one of the tech guys he hasn't seen since Chicago or Detroit or wherever it was the last time they threw down.
It's a warm camaraderie that fills the room. This is where Gerald calls on his earliest showbiz experiences - when he was just a toddler in the wings watching his dad (Eddie Levert) on tour with the legendary O'Jays. The easy banter between Gerald and his band gives us a chance to do a quick fact-check on the versatile terrain he has covered over the years.
He formed his first group, Levert, in 1985. After tremendous recording and live success, he ventured out on his own in 1991 with the gold album Private Line. 1994's Groove On found critics pointing to him as R&B_s new standard-bearer, citing the single "I'd Give Anything," as an instant classic. Not content to rest on his laurels, he defied expectations in 1995 by releasing the acclaimed Father & Son album, featuring his famous dad.
A slew of outside projects with superstars such as Stephanie Mills, Barry White and James Ingram, among others kept him busy until Gerald released his groundbreaking collaborative effort, 1996's LSG, featuring Gerald, Johnny Gill and Keith Sweat. The all-star disc generated numerous smash hits, including the stunning "My Body," achieving double platinum in the process and establishing Gerald as one of the most talented multi-threats in the game. In '98 it was the aforementioned Love & Consequences, followed up by 2000's mercurial G, which entered the Billboard Top Albums Chart at an unprecedented #2.
But no more questions about the past. Gerald would rather heat up the hall with a quick run through of some of his past hits. The famous concentration, the astute vocal command, the charismatic stage presence - are all there - despite this being only the second night of practice. Then I suggest he sing the new one - "Made To Love Ya". He walks slowly to the end of the stage.
Gerald: We go to 9:00 or 10:00 around here. We eventually get to all of them.
The crew laughs and Gerald breaks into a few bars of "I Believe I Can Fly," inspired by the knock-out live version he recorded with superstar Yolanda Adams for her latest album. After a couple false starts of other songs, Gerald turns to his band and gives the kind of extra sensory signal that only a musician could understand. This is it. The moment everyone's been waiting for. Time to test one of the new ones. G smiles - you know by now the kind of smile - and clenches the mic with both hands.
/I was made to love ya, my hands to touch ya, my arms to hold ya, my legs to stand .../
It's a Gerald anthem if there ever was one. Even in the barren rehearsal hall, he doesn't miss a note. The song builds to such an emotional crescendo that even the stage crew pauses to take it all in.
/It had to be my destiny, I was made to love ya, my arms to hold ya.../ and on and on and on.
Finally the song ends. The room bursts into applause.
Gerald: I think that one will work.
Laughter all around. Gerald jumps down from the stage and motions for everyone to take five. There's no need to ask him any more questions about that song, or the new album, for that matter. The power of his vocal, the depth of the lyrics serves to further enhance that already indefinable mystique. All that matters now is that he is ready. The look in his eye is like an athlete's - hungry - once again - to step into the arena. We pack out notes and he comes over. He has one more thing to say about this game.
Gerald: All the great ones know one thing. Rehearsals are the easy part. It takes a strong person to go back to the room after singing a song like that in front of five or six thousand screaming fans every night.
It's Gerald's World. What else you wanna' know?

Date of Death 30 March 2008, Cleveland, Ohio, USA
Spouse Angela Lowe (? - 31 March 2008) (his death)
Trivia
Son of Eddie Levert of the R&B group, The O'Jays.
Brother of R&B singer Gerald Levert.
Memeber of the R&B trio entitled "Levert" with his brother, Gerald Levert, and singer Marc Gordon.
Toured with an inspirational play Will a Real Man Please Stand Up
Sean Levert was born in Cleveland, Ohio and was the son of Eddie Levert, who sang with The O`Jays. He formed the trio LeVert with older brother Gerald Levert and childhood friend Mark Gordon; together they scored several smash hits on the U.S. R&B charts in the 1980s and early 1990s. In 1995, Sean launched a solo career with the album The Other Side on Atlantic Records, which peaked at #22 on the U.S. R&B/Hip-Hop Albums chart and #146 on the Billboard Hot 100. The album yielded the charting singles "Put Your Body Where Your Mouth Is" (U.S. R&B #40) and "Same One" (U.S. R&B #57) that same year.
In 2008, Levert was sentenced to a one-year, 10-day prison sentence for failing to pay child support for his three children, then aged 11, 15, and 17. Levert became ill during this sentence, reporting high blood pressure and hallucinations; he died after a week of the sentence had been served, on March 30. He was 39 years old.
A satisfying debut from Sean, the least known Levert. He sings in a pleasant, laid-back tenor/baritone. Only ten selections, but not a sister of the poor in the bunch. The O'Jays sounding "Same One" features' Sean, his brother Gerald, and father, Eddie, on a powerful ballad. "I'm Ready" is an enticing mid-tempo number embellished by excellent backing vocals and a def synthesizer. "Just Can't Get Enough" contains elements of "Munchies for Your Love," by Bootsy's Rubber Band. As a single release, "Put Your Body Where Your Mouth Is," received some plays and experienced some chart action, but failed to live up to its lofty expectations, despite Sean singing near the top of his register for emphasis. With its happy beat, "Place to Be" should have received more attention. You'll get enveloped in sounds listening to "I'm in a Freaky Mood," which features mult-track vocals, and echo for days. Likewise for "The Other Side," where voices and vocals appear from seemingly everywhere on a George Clinton-influenced ditty. A loping, shoulder moving beat propels "Just for the Fun of It" at a pace between ballad and mid-tempo, Levert supplies the backing voices on this winner. Top shelf productions by Gerald Levert and Jermaine Dupri makes The Other Side a keeper.
The Whole Scenario” Gerald Levert * Sean Levert * Marc Gordon
The Whole Scenario… or the rest of the story. Levert are ready with twelve reasons (and a remix) why they’re about more than reputation - more than the sum of their four gold albums and five #1 hit singles. “People seem to look to us for your classic R&B ballad, but that’s just part of what we do,” says group member Marc Gordon. “Levert strives to contribute to music as a whole - not just one aspect of it.”
With “THE WHOLE SCENARIO,” the group’s sixth Atlantic release, the groundbreaking Cleveland-based trio have expanded on their renowned sound with a uniquely versatile combination of contemporary styles: pop, hip hop, and R&B with a bit of old school soul. On such songs as the tender “I’ll Get It Done” and enticing “Do It Right Here,” Gordon and brothers Gerald and Sean Levert powerfully stir the motion and emotions of a candlelight dinner and true romance.
In between, such bold tracks as “Tru Dat” find the trio reaching into new territory with the an inspired male/female, rap/vocal interplay - achieved with the help of hip hop’s Yo Yo and Queen Pen. And just try to get around the song’s uh, memorable chorus: “I need a lady on the town/a freak in the sack/a woman in the house/we like it like that/say tru dat.” The explorations and collaborations continue with the booming Mad Lion on “You Keep Me Comin’” and rapper/co-writer Missy Elliott (writer: Aaliyah, Ginuwine, Gina Thompson) on “Keys To My House.”
Produced by Gerald, Marc, and Edwin “Tony” Nicholas, “THE WHOLE SCENARIO” stands as Levert’s seamless realization of a musical vision and their unsentimental parting with preconception. “A lot of times these days, people get caught up on chasing one sound and spend all their time trying to copy the latest hit album,” says Marc, who now makes his home in Los Angeles. “As a group that has been around, we have a lot more than that to offer. With ‘… WHOLE SCENARIO,’ we’re doing some things we haven’t tried in quite this way before.”
Gerald and Sean Levert grew up vocalizing together in Cleveland, Ohio under the inspiration of their father Eddie Levert Sr. - lead singer with the legendary O’Jays. “I always sang, beginning when I was real little,” says Gerald, the group’s chief lyricist. “I never sang in church, but began by mimicking my father.” Eddie encouraged his sons, letting them help out on tours and buying them recording equipment. By the time Gerald was 12, he and his father would often spend long hours singing in the basement of the family’s Shaker Heights home.
While in their mid-teens, Sean and Gerald began to make music with their friend Marc Gordon, another musically inspired young man. “Our mother’s a Jehovah’s Witness, and she went to the same Kingdom Hall as Marc’s mother,” explains Gerald. “After church, we’d go home and write songs; he was over all the time. Finally, Marc moved into the house and just stayed there.”
Gerald and Marc developed their interest in production by experimenting at home with various two and eight-track recorders. At the same time, the three of them began to refine their repertoire and perform at clubs in and around Cleveland. Things were happening quickly and the trio was eager to bring their talents to a wider audience.
In 1985, Levert released their debut album, “I’M STILL,” on Harry Coombs newly launched independent label. The group scored regional success in the D.C./Baltimore area and reached #60 on the Billboard R&B chart. It was a true achievement for such a little known group, even one mentored by a legacy the likes of Eddie.
The group’s rise carried on with the recording of their 1986 debut Atlantic release, “BLOODLINE.” The album yielded two R&B hits, including the #1 smash “(Pop, Pop, Pop, Pop) Goes My Mind,” and established the trio with chart-topping prominence. Levert’s RIAA gold second album, 1987’s “THE BIG THROWDOWN,” spun off three hit singles, including the RIAA gold #1 R&B/top 5 pop sensation, “Casanova.” The track, also heard on The Pick-Up Artist and Jumpin’ Jack Flash soundtrack albums, earned the group a Grammy Award nomination and brought added clout to the LeVert name. With their contribution of “Addicted To You” to 1988’s Coming To America soundtrack, Levert saw their third single go to #1 on the R&B chart.
That same year, Gerald and Marc teamed up under the songwriting/ production banner of Trevel Productions. Their contributions to Miki Howard’s “LOVE CONFESSIONS” and to Troop’s self-titled debut album also became chart-toppers: Miki’s duet with Gerald, “That’s What Love Is” (produced by Gerald and Marc and written by Miki, Gerald, and Marc), became a top 5 R&B hit; and Troop’s “Mamacita” (penned by Gerald and Marc and produced by the duo with Eddie), hit #1 on the R&B charts.
The group’s 1988 album, “JUST COOLIN,’” was the first Levert album to be produced entirely under the Trevel banner. In the process of earning RIAA gold, the album yielded the group’s fourth #1 R&B hit with its title track single, which was highlighted by guest artist Heavy D - making Levert one of the first groups to successfully merge R&B with hip hop.
It was during that time that the Trevel team worked with fellow Ohio artists the Rude Boys on their “RUDE AWAKENING” album and with the O’ Jays on their “SERIOUS” comeback album and #1 R&B hit single, “Have You Had Your Love Today?”
Levert again scored RIAA gold with their 1990 album, “ROPE A DOPE STYLE,” which was highlighted by the #1 R&B success of the “Baby I’m Ready” single. The trio followed suit in 1993 with the RIAA gold “FOR REAL THO’” and its “Good Ol’ Days” hit track. Soon afterwards, Sean began work on his Atlantic debut solo set, “THE OTHER SIDE” - an album that found the group’s youngest member stepping out in a style of his own while earning the respect of fans and critics alike.
In addition to his accomplishments with Levert, brother Gerald has further distinguished himself as one of today’s top studio and songwriting talents - contributing to hit projects by artists including Anita Baker, Barry White, Keith Sweat (on whose most recent album Gerald is featured), Chuckii Booker, and New Edition, with their much celebrated reunion album.
As a solo artist, Gerald achieved immediate success with his 1991 “PRIVATE LINE” debut, which gave rise to the hit singles “School Me,” “Can You Handle It,” and “Baby Hold On To Me” - a touching duet with his father. The collaboration inspired the gifted pair to record 1995’s much-celebrated gold smash, “FATHER & SON.” Released that same year, the platinum-selling success of Gerald’s “GROOVE ON” solo album clearly demonstrated the remarkable depth of the artist’s popularity. Gerald’s credits also extend to his work with the likes of Stephanie Mills, Patti LaBelle, Subway, and Teddy Pendergrass. In 1993, his song “Voodoo” earned Pendergrass a performance Grammy nomination.
Along with his numerous awards, Gerald was honored with an Image Award by the NAACP for his Essence Awards father/son duet with Eddie on “Wind Beneath My Wings” - heard on “FATHER & SON.” (The song was also an audience favorite during the special ‘95-’96 tour featuring the triple-threat bill of Eddie & Gerald/O’ Jays/Levert.) Last year, Gerald was presented with a BMI Pop Awards Citation for Achievement for his song “Practice What You Preach,” recorded by Barry White - the same track garnered Gerald a songwriters Grammy nomination.
A some-time actor, Gerald has been seen on TV’s New York Undercover and in the 1991 feature film New Jack City, alongside stars Wesley Snipes and Mario Van Peebles.
Gerald’s on-screen charisma is most recently seen in LeVert’s new “Tru Dat” video, where a trio of self-proclaimed he-men and their poker buddies try to prove who’s the world’s most dedicated bachelor playboy - even though anyone who knows “THE WHOLE SCENARIO” can tell they’re die-hard romantics. Tru dat.
Biography for Sean Levert
Date of Birth
28 September 1968, Cleveland, Ohio, USA
Trivia
Son of Eddie Levert of the R&B group, The O'Jays.
Brother of R&B singer Gerald Levert.
Memeber of the R&B trio entitled "Levert" with his brother, Gerald Levert, and singer Marc Gordon.
Toured with an inspirational play Will a Real Man Please Stand Up
Filmography
Jump to filmography as: Actor, Self
Actor:
2000s
1990s
Dope Case Pending (2000) (V) .... Devon
New Jack City (1991) .... Singers - Winter - (Levert)
Self:
2000s
1980s
Gerald Levert: A Celebration of Life (2006) (TV) .... Himself
The 3rd Annual Soul Train Music Awards (1989) (TV) .... Himself/performer
"It's Showtime at the Apollo" .... Himself - Guest Host (1 episode, 1989)
... aka Showtime at the Apollo (USA: new title)
- Episode dated 8 April 1989 (1989) TV episode (as Levert) .... Himself - Guest Host
The 2nd Annual Soul Train Music Awards (1988) (TV) .... Himself
The 15th Annual American Music Awards (1988) (TV) .... Himself - Presenter
"Soul Train" .... Himself (3 episodes, 1985-1987)
- Jody Watley/Levert (1987) TV episode (as Levert) .... Himself
- Episode #16.4 (1986) TV episode (as Levert) .... Himself
- Episode #14.23 (1985) TV episode .... Himself
Our prayers go out to the Levert family for the lose of Cleveland Ohio's and The World's two greatest R&B singers we have seen and heard in a long time.
"Loving Gereald Edward Levert & Sean Edward Levert Sr. To Infinity Without End."

LET'S NEVER FORGET
MS. DEBORAH (Oct 29, 2008)
GERALD E. AND SEAN E. LEVERT I LOVE AND MISS YOU SO MUCH
ALWAYS AND FOREVER
MS. DEBORAH
Grateful Fan of the Levert Musical Legacy
Hope (Aug 06, 2008)
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